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The following article was published in our article directory on May 20, 2013.
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HowToMakeMusicBeats.net - Reggaeton Beats, Music, and Dance

Article Category: Entertainment

Author Name: DJ SpinTex

Reggaeton is {{a type|a kind} of|a kind of} {urban|metropolitan|city} beat and {song|tune|track} that has {actually|really|in fact} become {extremely|incredibly|exceptionally|very} {popular|preferred} {among|amongst} young {song|tune|track} {lovers|enthusiasts|fans} in Latin America, North America, Europe, Asia, and Australia. Reggaeton {songs|tunes|tracks} {stem from|come from} {music|songs} in Panama (Reggae en Español (in English, Spanish Reggae)) with rapping and singing {frequently|often|regularly} in Spanish. The {music|songs} is a blend of Jamaican {style|design} {music|songs} such as dancehall and reggae and Latin America {style|design} {songs|tunes|tracks} such as salsa, bomba, plena, merengue, bachata, hip hop, bolero, R&B, and Latin pop.

Reggaeton {songs|tunes|tracks} includes its own {certain|specific|particular} rhythm and beat. The {songs|tunes|tracks} {genre|category} of reggaeton is {primarily|mainly|mostly|largely} {{associated|linked|connected} with|connected with|related to} Puerto Rico (where this design of {songs|tunes|tracks} was {popularized|promoted} and became a predominate {style|design}), the lyrics are more hip hop {type|kind} lyrics than dancehall in nature.

The Beat of Reggaeton

It's the reggaeton beat, or Dem Bow, that drives the {{songs|tunes|tracks} and dances|dances and {songs|tunes|tracks}}. Reggaeton {combines|incorporates|integrates} a syncopated snare and {steady|stable} kick drum to produce {an uncommon|an unusual|an unheard of} rhythm.

{The Dem Bow riddim itself was first {created|produced|developed} by Jamaican dancehall {producers|manufacturers} in the {late 1980s and {early|very early} 1990s|{early|very early} 1990s and late 1980s}. {{However|Nevertheless|Nonetheless}, the {original|initial} {idea|concept} of Dem Bow's percussion pattern can not be traced to any {individual|various|specific} {producer|manufacturer}, {because|since|due to the fact that} the riddim itself was {partly|partially} {influenced|affected} by mento's one drop, {but|however} {also|likewise} by {other|various other} West Indian {music|songs} such as calypso and soca, which in turn {gives|provides|offers} the Dem Bow a pan-Caribbean nature.|The {original|initial} {idea|concept} of Dem Bow's percussion pattern can not be traced to any {individual|various|specific} {producer|manufacturer}, {because|since|due to the fact that} the riddim itself was {partly|partially} {influenced|affected} by mento's one drop, {but|however} {also|likewise} by {other|various other} West Indian {music|songs} such as calypso and soca, which in turn {gives|provides|offers} the Dem Bow a pan-Caribbean nature.} Steely & Clevie, {creators|developers} of the Poco {Man|Guy} Jam riddim are {usually|typically|normally|generally} credited with the {creation|production} of the {original|initial} Dem Bow. At the heart of Dem Bow lies the 3 +3 +2 or tresillo rhythm, {complemented|matched|suited|gone with|gone well with} by bass drums in 4/4 time. 02 The Dem Bow riddim was first highlighted in the {song|tune|track} "Dem Bow" by Shabba Ranks, from his 1991 {album|cd} {Just|Simply} {Reality|Truth}.|The Dem Bow riddim itself was first {created|produced|developed} by Jamaican dancehall {producers|manufacturers} in the {late 1980s and {early|very early} 1990s|{early|very early} 1990s and late 1980s}. The {original|initial} {idea|concept} of Dem Bow's percussion pattern can not be traced to any {individual|various|specific} {producer|manufacturer}, {because|since|due to the fact that} the riddim itself was {partly|partially} {influenced|affected} by mento's one drop, {but|however} {also|likewise} by {other|various other} West Indian {music|songs} such as calypso and soca, which in turn {gives|provides|offers} the Dem Bow a pan-Caribbean nature. The Dem Bow riddim was first highlighted in the {song|tune|track} "Dem Bow" by Shabba Ranks, from his 1991 {album|cd} {Just|Simply} {Reality|Truth}.}

Reggaeton beat {sounds|noises} are {usually|typically|normally|generally} synthesized {electronically|digitally} ({via|through|by means of} a drum {machine|device|equipment}). There are {melodies|tunes} {created|produced|developed} with {other|various other} electronic instruments, keyboards, and electric guitars. The beats are {versatile|flexible|functional}, and can be based upon bolero, hip-hop, salsa, merengue, bachata, or {various|different|numerous} other {similar|comparable} beats.

The Reggaeton Dance

{Sensuous (and {questionable|suspicious|doubtful}) dancing can {frequently|often|regularly} be seen in reggaeton clubs or on video. The perreo {type|kind} dance is {{a type|a kind} of|a kind of} grinding dance {obtained|acquired|gotten} from Puerto Rico. The dance puts females in control of the dance and is {really|truly|actually} provocative in its nature. {Perreo {moves|steps} are {popular|preferred} in dancehall, rhythm and blues, and hip-hop {songs|tunes|tracks} {as well|also|too}.|Perreo {moves|steps} are {popular|preferred} in dancehall, rhythm and blues, and hip-hop {songs|tunes|tracks}.} A a little calmer {form|type|kind} of reggaeton dancing is cumbia, which was {initially|at first} {a people|an individuals} dance and {music|songs} from Colombia. Like perreo, the cumbia dance is flirtatious in nature with the {women|ladies|females} {tempting|appealing|alluring} the {guys|men} {toward|towards} them {and then|then} pushing them away.|Sensuous (and {questionable|suspicious|doubtful}) dancing can {frequently|often|regularly} be seen in reggaeton clubs or on video. Perreo {moves|steps} are {popular|preferred} in dancehall, rhythm and blues, and hip-hop {songs|tunes|tracks}. A a little calmer {form|type|kind} of reggaeton dancing is cumbia, which was {initially|at first} {a people|an individuals} dance and {music|songs} from Colombia.}

A few of the leading artists in reggaeton {consist of|include} CandyMan, Esko, Fito Blanko, Nicky Jam, La Fabrica, Don Miguelo, Daddy Yankee, De la Ghetto, DJ Blass, {Baby|Infant|Child} Rasta & Gringo, Don Chezina, Lito & Polaco, Eddie Dee, Adassa, El Chombo, and Tony Touch. Some {preferred|chosen|liked} {producers|manufacturers} of reggaeton {songs|tunes|tracks} are Eliel, Luny Tunes, and Noriega.

With the {widespread|extensive|prevalent} appeal of reggaeton {songs|tunes|tracks}, there are now {numerous|various|many} radio stations {specializing in|focusing on|concentrating on} this kind of {music|songs}. There are {likewise|also|similarly} online radio {locations|places|areas} where fans can download {music|songs}, pay attention online, or {enjoy|delight in|take pleasure in} the reggaeton video of {selection|choice|option}. The {significant|considerable|substantial} perk of online radio is fans can {pay attention to|take note of|focus on|observe} their {favored|preferred|popular} {music|songs} or {watch|view|enjoy|see} their {favored|preferred|popular} videos all the time.

Keywords: Reggaeton, How To Make Music Beats

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