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SpinDistribute.com Article Directory

The following article was published in our article directory on April 23, 2013.
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Joe Pass - Jazz Guitar Improvisation

Article Category: Entertainment

Author Name: Steven Herron

If Joe Pass had not been sidelined with illegal drug dependency, he surely would have joined the great jazz guitar wave of the fifties. Throughout that golden era, when guitar players like Barney Kessel, Johnny Smith, Kenny Burrell, Jimmy Raney, Tal Farlow, Jim Hall, Herb Ellis, Howard Roberts, and Wes Montgomery came to prominence, he would have been among the genre's leading musical inventors. As it was, fate had different ideas for Joe Pass. While finding out the art and craft of bebop in New York City, he fell victim to the very same practice of the era that afflicted contemporary jazz musicians like Charlie Parker, Miles Davis, and John Coltrane. After knocking around in and out of jail for over 10 years with heroin addiction, Joe entered Synanon in 1960. Exactly what followed is among jazz guitar music's biggest success tales!

Joe Pass initially gained public awareness along with his guitar playing as part of the house band on 1961's Sounds Of Synanon. His debut album Catch Me, and its landmark follow up For Django, developed Joe Pass's qualifications in no uncertain terms. By 1965, he was in demand as one of the most searched for jazz sidemen of the era, supporting musicians such as George Shearing, Groove Holmes, Gerald Wilson, Benny Goodman, and Les McCann. At decade's end, Joe Pass had actually launched a string of record albums on the Pacific Jazz label (these are at long last readily available on CD in a must have Mosaic Records' collection) and was a neighborhood virtuoso in the Los Angeles jazz guitar scenario. Lee Ritenour once referred to him as "The President Of Bebop" on the West Coast, an idea shared by lots of up and coming jazz guitar players of the day.

In 1972, Joe Pass broke brand-new ground along with his Virtuoso record album. The promise made by his Pacific Jazz recordings was satisfied on Virtuoso. This album featured Joe Pass playing unaccompanied, improvised jazz guitar for an entire program of twelve songs! A set that seems as fresh and remarkable today, Virtuoso elevated standards in the music industry overnight. From this time on, virtuoso came to be Joe's identification. He reigned supreme in the solo guitar genre and did so up until his untimely demise in 1994. In retrospection, Joe Pass is definitely one of the most vital artists of the twentieth century and continues to stay the ultimate total jazz guitarist.

Tales from the Joe Pass mythos have it that Gene Autry, The Singing Cowboy, influenced a 9 year old Joseph Anthony Passalaqua to select up the guitar and come to be one of the globe's biggest musicians - a charming and idealized picture but barely accurate. Joe Pass unmasked that story years back. Fact be revealed, Joe himself didn't recall precisely what prompted him to start playing guitar - he simply did. When he did, he took part in the area popular music setting in Johnstown, New Jersey - just hanging out with other guitar players, learning Italian sing-along songs of the day, and listening. Lots of listening!

For almost a year and a half, Joe Pass took official guitar lessons along with a local multi-instrumental player. He discovered how to read formal music, worked with some Nick Lucas guitar approach books, and examined some easy finger style guitar methods from the Carcassi Classical Guitar Method. At this age, he played roughly six hours a day under the careful eye and strict examination of his dad. By age twelve, Joe Pass was an excellent improviser and was playing professionally at local dance parties along with more mature artists. In this time period, he familiar jazz players like saxophonist Ben Webster and trumpeter Roy Eldridge.

Keywords: joe pass, jazz guitar books, jazz guitar instruction, jazz guitar tab books, jazz guitar dvds,

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