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The following article was published in our article directory on November 9, 2009.
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Article Category: Advice
Taking photographs for weddings is great fun, but means great responsibility as well. It can also be a fun challenge for non-professionals looking to try to their creative hand at a wedding where a professional has been hired to get the critical photos. Typically wedding photography ought to be left to professionals, but if your niece really wants to have you shoot the wedding, keep in mind some of the following facts.
Every wedding photographer ought to be using state-of-the-art equipment, but one of the best Bay Area Wedding Photographers I know sets himself apart through her ability to read personalities and capture their spirit on film through proper posing and other techniques. Wedding photographers must work with clients whom they may barely know, wearing clothes that they didn't pick, under lighting conditions established by Mother Nature, all while working on difficult time constraints.
There are some technical requirements that most San Francisco Wedding Photographers I have spoken with embrace. One key element is the selection of the proper lens. Lenses with a large maximum aperture of f/2.8 or larger are extremely valuable for weddings. The extra two stops of shutter speed between a f/2.8 lens and a cheaper f/4-5.6 kit lens can make the difference in getting a good photograph instead of a bad one. The capability of using available light, despite dark reception halls, or poorly lit churches is a valuable commodity for the wedding photographer. Probably more important is the ability to not use a flash, as most would agree that the light cast by an on-camera flash is hardly romantic. Additionally, many locations will not allow flash photography during the ceremony itself, or the bride may ask that the flash not be used.
Two primary schools of thought dominate the debate about electronic flashes used for weddings amongst Bay Area Wedding Photographers I have spoken with. Those with extensive studio experience feel most comfortable with the robustness and flexibility that studio moonlights provide. The gals with more editorial experience typically prefer speedlight TTL flashes due to the light weight and ease of set-up and take-down. Studio flashes have the advantage of significantly more lighting power and many options for light modifications such as softboxes, snoots, and barn-doors. This can be an advantage when you have a large wedding group to photograph, or when the location calls for some creative lighting to achieve the proper romantic feel. In my experience, time is the scarcest resource at a wedding. The faster you can set up and tear down, the happier you and your married couple will be.
Keywords: san francisco wedding photographer, bay area wedding photographer, san francisco bay area wedding photographers, napa wedding photographer, sonoma wedding photographers
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